Found: Downtown San Diego, aprox 7th and C
Near the downtown trolley area, near a dilapidated building I came across
this tag wall. Upon the wall were an array of different tags and
bombs, all done in a simplistic black marker. What I found most interesting
about these three works, (the 'name' tag, the 'slogan' tag, and the
'image' tag) is that they all three evoke a personal contribution of the
taggers style, while each one is still depicting a different aesthetic element
of the idealism of a simple graffiti tag.
The first piece seems to have two different names, one of them Skylar, the
other Tase (from what I can make out as an amateur). Rather than having
any real insight into what the artist/tagger is trying to "make a
statement" of, it seems that the statement itself is just getting the
artist(s) name out in the open and into recognition, either by other taggers, or simply by-passers of the route.
The slogan piece, "Bills" Kill All, gave me a similar vibe as the
first piece, but worked with a different type of declaration. Rather than
just a simple name tag, there's a bit of a play on words here... who is/are
"Bills"? Are we using this as a euphemism for a person? Gang? Group of people? Lastly, the Slave piece was
what originally caught my eye in the first place when walking along the wall. Differentiating from the
other two pieces, this tag includes an element of visual symbolism, through the pyramid.
Such as Style Wars focused so much of these young, fresh taggers marking
up any space they could find to display their names onto, as a sense of
self identity, I feel like a similar idea theme is going on here. Where in
SW, the artists were literally using every inch of the subway trains to
"mark their territory" or "stake their claim", here, in San Diego, these
artists are making the same similar name for themselves by marketing their work on
walls of buildings on main streets, where throngs of people walk by and
will notice day in and day out. We as the viewer are getting a glimpse of personal representation
through tag, symbol, statement without the artist ever having to show
their face. We are then able to understand a piece of the artist's agenda,
whatever it may be, through their work. The pieces are more for personal and inter-personal relationships between artists and taggers, rather than for the mainstream public to understand and relate to in the same way. It is as much as an emotional appeal to the creator of the work as anything.
Sources:
1. "Style Wars", 1983 Film, PBS.
Sources:
1. "Style Wars", 1983 Film, PBS.
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